the late iron age
gate ways time lines
a story to explain some workings
was in a museum saw earthenware pot late iron age on display
i thought lets see so went in to the time line of the pot
objects are embedded with time prints when they have been
in touch with human consciousness and are there for gateways
that can be accessed .
i went in and contacted the maker of the pot a woman in her 30s
i could see here and the clothes she had on and the place she was in
and I contacted her we started talking .
this is just a human soul in a point on her time line of incarnations
still around some place now as soul is eternal but past lives stay around
too till in ways dissolved by the soul that created them .
so we started talking about how she made the pots , it was quiet hard work
the building was wood open front slanted roof roads bit muddy outside
guess it had rained asked here where she got the clay from it came from
not far away she was positioned there to be near that clay source
asked how she got it well she had a travois she loaded the clay on and dragged to the hut
when she needed more . she sat on her knees making the pots .
i asked how life was she said fine and asked if she had a husband she did
and how the relation ship was , that she said was very got husband loved her a lot
and treated her quite like equal in many ways asked if all relationships where like that
there between men and woman well she said some are fine others have problems at times
I talked about how clothes where made she told me about a loom they used
a squire frame with wires in between guess about 6 feet tall
I could see the loom was quite a simple contraption.
well i left form there could have talked ages looked around in the village i guess
see this as a practical application of spiritual knowledge
at times if I like I see in place where I am whats been there at times
like in the woods looking at the pine trees I ask to see when they where planted and see a scene
of that like as in transparent over what there is now . the people I see I guess some would call
this seeing ghost if it happens in an other way but to me they are past lives of people
seems to my findings past life's all happen at once so individual points along the time
line can be met and seen . must say for me this is all quite devoid of any excitement or
emotion its just there and can be done or seen it some how and interaction between matter
and soul and light that create time points you can hold . like as in visual memories
are such structures that can be remembered or shared even or transmitted depending on development
of people involved and detachment from forces that can be seen as possessiveness of those images
perhaps a 'this is mine feeling' or 'owning it' feeling. is it not a law of attraction thing that images
of objects visualized are often send to you later as the objects them selves ?
seems to me the more emotions you attach to the images the denser and limiting your relationship
becomes with them , well ok let that discussion be for an other time :-)
if you wonder why i post this ? I some how like to show
what can be done , many already know this but most not on this site not
also perhaps it helps others doing this or wanting to do this sort of thing, it could possibly spark
an insight or understanding ?
" />
gate ways time lines
a story to explain some workings
was in a museum saw earthenware pot late iron age on display
i thought lets see so went in to the time line of the pot
objects are embedded with time prints when they have been
in touch with human consciousness and are there for gateways
that can be accessed .
i went in and contacted the maker of the pot a woman in her 30s
i could see here and the clothes she had on and the place she was in
and I contacted her we started talking .
this is just a human soul in a point on her time line of incarnations
still around some place now as soul is eternal but past lives stay around
too till in ways dissolved by the soul that created them .
so we started talking about how she made the pots , it was quiet hard work
the building was wood open front slanted roof roads bit muddy outside
guess it had rained asked here where she got the clay from it came from
not far away she was positioned there to be near that clay source
asked how she got it well she had a travois she loaded the clay on and dragged to the hut
when she needed more . she sat on her knees making the pots .
i asked how life was she said fine and asked if she had a husband she did
and how the relation ship was , that she said was very got husband loved her a lot
and treated her quite like equal in many ways asked if all relationships where like that
there between men and woman well she said some are fine others have problems at times
I talked about how clothes where made she told me about a loom they used
a squire frame with wires in between guess about 6 feet tall
I could see the loom was quite a simple contraption.
well i left form there could have talked ages looked around in the village i guess
see this as a practical application of spiritual knowledge
at times if I like I see in place where I am whats been there at times
like in the woods looking at the pine trees I ask to see when they where planted and see a scene
of that like as in transparent over what there is now . the people I see I guess some would call
this seeing ghost if it happens in an other way but to me they are past lives of people
seems to my findings past life's all happen at once so individual points along the time
line can be met and seen . must say for me this is all quite devoid of any excitement or
emotion its just there and can be done or seen it some how and interaction between matter
and soul and light that create time points you can hold . like as in visual memories
are such structures that can be remembered or shared even or transmitted depending on development
of people involved and detachment from forces that can be seen as possessiveness of those images
perhaps a 'this is mine feeling' or 'owning it' feeling. is it not a law of attraction thing that images
of objects visualized are often send to you later as the objects them selves ?
seems to me the more emotions you attach to the images the denser and limiting your relationship
becomes with them , well ok let that discussion be for an other time :-)
if you wonder why i post this ? I some how like to show
what can be done , many already know this but most not on this site not
also perhaps it helps others doing this or wanting to do this sort of thing, it could possibly spark
an insight or understanding ?
" />
